Film country: Argentina
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The Devil’s Backbone
After losing his father, 10-year-old Carlos arrives at the Santa Lucia School, which shelters orphans of the Republican militia and politicians, and is taken in by the steely headmistress, Carmen, and the kindly professor, Casares. Soon after his arrival, Carlos has a run-in with the violent caretaker, Jacinto. Gradually, Carlos uncovers the secrets of the school, including the youthful ghost that wanders the grounds.
Alex, an intersexed 15-year-old, is living as a girl, but she and her family begin to wonder whether she’s emotionally a boy when another teenager’s sexual advances bring the issue to a head. As Alex faces a final decision regarding her gender, she meets both hostility and compassion.
The Last Elvis
In the unique world of the Buenos Aires celebrity-impersonator scene, “Elvis” Gutiérrez is a star. By day, though, he must contend with a dead-end factory job and an ex-wife who worries about how his obsessive behavior affects their young daughter, Lisa Marie. Feeling more connected to his persona as the King than to his own family, Gutiérrez retreats from reality until a tragic accident interrupts his plans and forces him to grapple with his real-world responsibilities.
Rodencia and the Princess Tooth
A magical adventure begins Once upon a time, within a vast and wild forest there was a fantastic Kingdom called Rodencia, a place where wonderful creatures and powerful wizards lived. It’s the story of adventures and love of a small mouse called Edam, a clumsy magician’s apprentice and the beautiful and confident mouse Brie, who will have to face many dangerous obstacles in order to obtain the power of the princess’s tooth and defeat the troop of rats commanded by the evil Rotex who invades Rodencia (the peaceful kingdom of mice), in order to dominate them and take their treasure. In the middle of the forest; the magic of the light and the darkness, the love and resentment will face together. Edam and Rotex will fight and only one will leave victorious.
The 7th Floor
Like every day, Marcelo gathers her children on the floor of his ex-wife. As each day play “to see who gets there first” them down the stairs, him in the elevator, a diversion that your ex-partner does not like. But when one day Marcelo plays the downstairs children are not. They are not anywhere. The fear begins to emerge when a phone call will catapult the horror: a kidnapper puts a price for the release of their children
The air is thick with tension as a military squad proceeds to the foot of a mountain base, where they’re ordered to wait for backup and hold their position. The mountain is shrouded in fog and the men are exhausted. They’ve been fighting guerrillas on enemy turf for some time, and they’re worn down by the stress and anxiety of battle. The men don’t want to wait; they want to charge up the hill, fearing that their comrades in the base have been overrun by the guerrillas. The squad’s leader tries futilely to keep his men in line while dealing with his insolent second-in-command.
When Julián receives an unexpected visit in Madrid from his lifelong friend Tomás, who now lives in Canada, the encounter is bittersweet. This reunion, their first meeting in many years, may also be their last. Diagnosed with terminal cancer, Julián is focused on putting his affairs in order, while Tomás is still grasping at hope. For four intense days, the two men, accompanied by Julián’s faithful dog, Truman, tour the city sharing emotional, hilarious and surprising moments. Full of laughter and sadness, and led by brilliant performances by Ricardo Darin and Javier Cámara, Truman is a wonderfully touching film on how we say goodbye.
On the verge of achieving his dream career, Tomás allows his older brother Martin Farina an inside look at his life as a professional football player. Martin, never able to fulfill his own dream of playing football, steps into the world of Tomás and his teammates through the lens of his camera. However, the rest of the club has their own opinions, some viewing Martin as an intruder, as he exposes their most vulnerable moments, and their concerns for the future after the game has ended. Fulboy offers an uncensored, confessional look at how the athletes behind the most popular sport in the world behave during their time off the field. At the same time, Fulboy reflexively interrogates Farina’s aesthetic choices and point-of-view, as well as the viewer’s gaze at the male form.
The disappeared — los desaparecidos — are words that carry special resonance in Argentina. Long associated with the crimes of the military junta of the 1970s, the term takes on a different, but no less chilling, meaning in the hands of filmmaker Pablo Trapero. Based on a true story that rocked Argentina, The Clan tells the almost unbelievable tale of the Clan Puccio, a seemingly normal middle-class family who kidnapped wealthy people off the street, held the victims for ransom, and, once paid, killed them.
Embrace of the Serpent
The epic story of the first contact, encounter, approach, betrayal and, eventually, life-transcending friendship, between Karamakate, an Amazonian shaman, last survivor of his people, and two scientists that, over the course of 40 years, travel through the Amazon in search of a sacred plant that can heal them. Inspired by the journals of the first explorers of the Colombian Amazon, Theodor Koch-Grunberg and Richard Evans Schultes.
A group of intrepid explorers go on a journey of discovery and excitement as they climb and live atop a 17,000ft mountain in Eastern Turkey to conduct a scientific expedition to determine the final resting place of Noah’s Ark. Finding Noah is more than a quest for answers, it is a testament of the human spirit, where belief and the need for exploration transcend risk and limitations.
Easy Sex, Sad Movies
Buenos Aires screenwriter Pablo is hired to write a new romantic comedy. As he begins his story, he visualizes his characters living in Madrid. Pablo creates a meet-cute between Marina and Víctor, a cute couple in Madrid who are soon totally in love. Yet as Pablo gets more and more into the script, he finds it difficult to separate his movie characters from what is happening in his own real life – specifically, his own love life.
To Steal from a Thief
A group of thieves led by a man called El Uruguayo stalk a bank in Valencia to steal as many safety boxes as possible and later flee through a dug tunnel that communicates the building with an abandoned subway station. However, the press officer of the Prime Minister discovers what the thieves are actually after: they want to get their hands on box 314, property of Gonzalo Soriano, a former member of the government who slipped into a coma after a severe accident, left documents with compromising information. The gang’s plans start to go awry when the tunnel is flooded by heavy rain, leaving them with no escape, plus to discover that the box really doesn’t contains documents, but an external hard drive full of data about important names in all levels of the Spanish politic. At the same time, a fixer of the government receives the mission to assume the control of the negotiations, looking for recover at any cost the box 314 and the information before the robbers flee with it.
Described by writer-director Pablo Fendrik as a “Mesopotamian Western,” El Ardor stars Gael García Bernal as Kaí, a mysterious shaman who emerges from the Río Paraná to defend a clan of tobacco farmers against a band of cold-blooded land-grabbers. But this is no ordinary Western. Filmed on the edge of the Amazon rainforest, near the border of Brazil and Argentina, the lush, claustrophobic jungle with its birds, insects and prowling animals becomes as much a part of the story as the misfortunes of its characters. With minimal dialogue and yet plenty of drama, including a few good old-fashioned gun battles, El Ardor is absolutely spellbinding.